Between individual life scripts and civilization-scale Grand Narratives, there is an interesting unit of social analysis called the folkway. Historian David Hackett Fischer came up with the modern definition in 1989, in his classic, Albion’s Seed: Four British Folkways in America:
…the normative structure of values, customs and meanings that exist in any culture. This complex is not many things but one thing, with many interlocking parts…Folkways do not rise from the unconscious in even a symbolic sense — though most people do many social things without reflecting very much about them. In the modern world a folkway is apt to be a cultural artifact — the conscious instrument of human will and purpose. Often (and increasingly today) it is also the deliberate contrivance of a cultural elite.
Ever since I first encountered Fischer’s ideas, I’ve wondered whether folkways might help us understand the social landscape of globalization. As I started thinking the idea through, it struck me that the notion of the folkway actually does the opposite. It helps explain why a force as powerful as globalization hasn’t had the social impact you would expect. The phrase “global citizen” rings hollow in a way that even the officially defunct “Yugoslavian” does not. Globalization has created a good deal of industrial and financial infrastructure, but no real “social landscape,” Friedman-flat or otherwise. Why? I think the answer is that we are missing some folkways. Why should you care? Let me explain. [Read more…]