High culture organizes its world views using overarching frames: intellectual superstructures that serve as extrinsic conceptual coordinate systems. “Globalization” and “Industrialization” are examples of such frames.
Popular culture on the other hand, tends to be driven by the most visible and drama in the immediate environment. From the chaos of turbulent change, popular culture tends to pick out specific motifs around which to grow a world view. These motifs mostly arise from the economic abundances that drive that particular age.
In trying to compare and contrast the motifs of different ages, something interesting struck me: the motifs tend to cycle between material, object and cognitive motifs. The objects aren’t random objects, but ones created by the operation of technology. So iron is a material motif for the Iron Age, the steam engine is an object motif for the Industrial Age, and writing is a cognitive motif for the Bronze Age. Here’s an approximate and speculative table of the motif-cycling I made up.
(I have endnotes for the less obvious table entries, which may need some explanation; and obviously the model is more speculative for ages for which contemporary written records are not available to us).
Why is this cycling important? Well, for all you futurists out there who are stuck in a mental rut asking yourself, what’s the next big thing? the next big thing is almost certainly not going to be a thing at all (object motif). It’s going to be a material motif. So the right question is what’s the next new material?
So answers like “3D printing” are wrong in a specific and interesting way. Let me explain.