Why do some people seem to achieve so much more than others in the same amount of time? I think it has to do with continuously developing a capacity for operating in narrative time. An easy way to understand this is to translate the effects into clock-time units. Since narratives evolve on multiple time scales at once, you can do the translation by using time scales. I made up this handy guide to thinking on single time scales versus multiple time-scales:
First, clock time is lost when you get more abstract in time, so you get this kind of outcome for clock-time thinking.
- If you prepare for a day at a time, you get 365 days in a year
- If you prepare for a week at a time, you get 182 days in a year
- If you prepare for a month at a time, you get 91 days in a year
- If you prepare for a year at a time, you get 45 days in a year
On the other hand, narrative time gains with such temporal abstraction, so long as you layer on the time scales bottom up instead of switching.
- If you prepare for a day at a time, you get 365 days in a year
- If you prepare fora day and a week at a time, you get 730 days in a year
- If you prepare for a day and a week and a month at a time, you get 1460 days in a year
- If you prepare for a day and a week and a month and a year at a time, you get 2920 days in a year
This is just an approximation of course, and you can abstract much more smoothly, without arbitrary calendar boundaries. You can add in intermediate layers and get similar doubling effects.
I am not kidding or exaggerating. I really do think there’s almost a Moore’s Law like exponential potential in how much narrative time you can unpack out of a given unit of clock-time. It’s like the fractal length of Norway’s boundary gets bigger and bigger as your ruler gets smaller and smaller.
Notice, I said prepare not plan. Planning at any time scale is more often harmful than helpful: planning activity subtracts in a zero-sum way from clock-time. Preparation adds in a non-zero-sum way to narrative time. The specifics of what preparation entails differ from person to person and context to context, but they all involve being more mindful of multiple time-scales at once.
What I called narrative time in Tempo is really what one might call mindfulness time. While clock time is something you look up on a clock, mindfulness time is something you develop like a muscle. For most people, the dynamic range of the muscle goes from a day to a year in clock time. Attempts to expand the range beyond a year tend to fail. Attempts to expand the range downwards into hours and minutes tends to work better, down to perhaps 25 minutes (the Pomodoro technique), but below that, it takes serious effort.
So if you find yourself running out of clock-time, don’t add more clock-time. Deepen the narrative time somehow.