Grand narratives are probably the most frequently mentioned subject in reactions I get to Tempo, even though I carefully restricted myself to individual narratives in the book. Apparently the urge to apply narrative models to collectives is irresistible. Several readers have gone ahead and sort of hacked the narrative models I discuss in Tempo, and applied them to grand narratives. To be frank, I don’t completely understand most of these attempts. I know of applications to unconventional crisis response, the political process in Honduras, the history of Western art, and the history of debt/finance.
But as I’ve mentioned in previous posts, I am treading carefully here. I’ve learned something from each hacking attempt people have told me about (do share if you’ve tried this sort of thing), and I’ve made two experimental attempts myself: applying the model to 19th century American business/technology history and on a smaller scale, to software projects. I am starting a third experiment: applying narrative analysis to wannabe-Silicon-Valley tech hubs like Boulder and Las Vegas. But overall, I am not satisfied that my models (or anyone else’s) are good enough yet.
But let me try and lay out the problem here, and have you guys weigh in.